{"id":545,"date":"2018-03-04T08:55:25","date_gmt":"2018-03-04T07:55:25","guid":{"rendered":"http:\/\/www2.hu-berlin.de\/kuwi-aesthetik\/word\/?p=545"},"modified":"2025-02-06T17:42:01","modified_gmt":"2025-02-06T16:42:01","slug":"nina-franz","status":"publish","type":"post","link":"https:\/\/www.aesthetik.hu-berlin.de\/en\/nina-franz\/","title":{"rendered":"Nina Franz"},"content":{"rendered":"

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Research Assistant<\/p>\n

Hochschule f\u00fcr Bildende K\u00fcnste Braunschweig<\/div>\n
Institut f\u00fcr Medienwissenschaft<\/a><\/div>\n
Nina Franz<\/div>\n
Johannes-Selenka-Platz 1<\/div>\n
38118 Braunschweig<\/div>\n
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n.franz@hbk-bs.de<\/a><\/div>\n

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Nina Franz is currently completing her PhD about image techniques and military obedience under the supervision of Prof. Dr. Iris D\u00e4rmann and Prof. Dr. Thomas Macho. Her doctoral research was supported by a stipend of the Gerda Henkel Stiftung from 2015 to 2018. From 2012 to 2015 she was a research assistant within the teaching and research area of \u00bbCultural History and Theory of Aesthetics\u00ab at the Institute for Cultural History and Theory at HU Berlin and a member of the research group \u00bbPictograms\u00ab at the Excellence Cluster Image Knowledge Gestaltung.\u00a0She was a research assistant for the professorship \u00bbHistory and Theories of Cultural Techniques\u00ab at Bauhaus-Universit\u00e4t Weimar from 2018 to 2020 and currently works as a lecturer for \u00bbHistory and Theory of Technology\u00ab at the Institut f\u00fcr Medienwissenschaft at the Hochschule f\u00fcr Bildende K\u00fcnste (HBK) Braunschweig.<\/div>\n
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You can read about her PhD research in this Interview<\/a> with the science portal of the Gerda Henkel Foundation.<\/div>\n

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Publications:<\/p>\n

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Milit\u00e4rische Bildtechniken. Von der fr\u00fchen Neuzeit bis ins Computerzeitalter<\/i>. Reihe Undisziplinierte B\u00fccher. Gegenwartsdiagnosen und ihre historischen Genealogien, hrsg. v. Iris D\u00e4rmann, Andreas Gehrlach und Thomas Macho. De Gruyter, Berlin, 2025. URL: https:\/\/www.degruyter.com\/document\/isbn\/9783111285139\/html<\/a><\/span><\/p>\n

Mit Eva Wilson (Hg.): The Coming Catastrophe. <\/em><\/span>Kultur- und medienwissenschaftliche Perspektiven zur Klimakatastrophe<\/em>. Spector Books, Leipzig [ersch. vor. 2025].<\/p>\n

Mit Beate Absalon, Andreas Gehrlach, Sebastian K\u00f6the, Antonio Lucci, Stephan Zandt (Hg.): Empfangen. Die andere Seite der Gabe.\u00a0<\/i>De Gruyter, Berlin, 2023.<\/p>\n

\u00bbKritik Annehmen. Vom L\u00f6sen des Double Bind\u00ab, in: Beate Absalon, Nina Franz, Andreas Gehrlach, Sebastian K\u00f6the, Antonio Lucci, Stephan Zandt (Hg.): Empfangen. Die andere Seite der Gabe.\u00a0<\/i>De Gruyter, Berlin, 2023, S. 229\u2013234.<\/p>\n

\u00bb\u00dcber das Protokoll hinaus. Zum Verh\u00e4ltnis von Kontingenz und algorithmischer Kontrolle im milit\u00e4risch-polizeilichen Phantasma der Automation\u00ab, in: Peter Plener, Niels Werber, Burkhardt Wolf (Hg.): Das Protokoll.\u00a0<\/i>AdminiStudies. Formen und Medien der Verwaltung, Bd. 2. J.B. Metzler, Berlin, 2023, S. 213\u2013229, URL: https:\/\/link.springer.com\/chapter\/10.1007\/978-3-662-66896-2_13<\/a>.<\/p>\n

\u00bbPerpendicular Views\u00ab, in: Marina Pinsky: Four Color Theorem<\/i>. Triangle Books, Br\u00fcssel, 2021, URL: http:\/\/www.trianglebooks.com\/books\/marina-pinsky\/four-color-theorem<\/a>.<\/p>\n<\/div>\n

\u00bb<\/span>Ungehorsame Bildbetrachtung. Rezension zu \u203aSchauen und Strafen. Nach 9\/11\u2039 von Linda Hentschel\u00ab, Soziopolis<\/i>, March 17th, 2021, URL: https:\/\/www.soziopolis.de\/ungehorsame-bildbetrachtung<\/a>.<\/p>\n

With Kate Chandler: \u00bbScreen Publics. Der Bildschirm als Wahrnehmungsmilieu\u00ab, in: Rebekka Ladewig, Angelika Seppi (eds.): Milieu Fragmente. Technologische und \u00e4sthetische Perspektiven<\/i>, Leipzig: Spector Books, 2020, pp. 252-263, URL: https:\/\/spectorbooks.com\/milieu-fragmente<\/a>.<\/p>\n

Interview with Georgios Chatzoudis: \u00bbBilder als Waffen. Nina Franz \u00fcber Kriegs- und Herrschaftstechniken des Bildes\u00ab, L.I.S.A. \u2013 Das Wissenschaftsportal der Gerda Henkel Stiftung<\/i>, April 9th, 2019, URL: https:\/\/lisa.gerda-henkel-stiftung.de\/bilder_als_waffen?nav_id=8134<\/a>.<\/p>\n

With Moritz Queisner: \u00bbDie Akteure verlassen die Kontrollstation. Krisenhafte Kooperation im Bild-gef\u00fchrten Drohnenkrieg\u00ab, in: Johannes Bennke, Johanna Seifert, Martin Siegler, Christina Terberl (eds.): Das Mitsein der Medien. Prek\u00e4re Koexistenzen von Menschen, Maschinen und Algorithmen<\/i>, Fink, Paderborn, 2018, pp. 27-58.<\/p>\n<\/div>\n

English version:<\/div>\n
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\u00bbThe Actors Are Leaving the Control Station. The Crisis of Cooperation in Image-guided Drone Warfare\u00ab, in: Luisa Feiersinger<\/span>, Kathrin Friedrich<\/span>, Moritz Queisner (eds.): <\/span>Image \u2013 Action \u2013 Space. Situating the Screen in Visual Practice<\/i>, de Gruyter, Berlin, 2018, pp. 115-132.<\/p>\n

With Rebekka Ladewig: \u00bbSynthetic Reality and Blind Flight \u2013 The Operationalization of Perception\u00ab in: Andreas Immanuel Graae, Kathrin Maurer (eds.): Politik, Vol. 20, Nr. 1, March 2017, pp. 30-44.<\/p>\n

\u00bbTargeted Killing and Pattern-of-Life Analysis: Weaponized Media\u00ab, in: John Corner, Katy Parry (eds.): Media, Culture and Society, Vol. 39, No. 1, January 2017, pp. 111-121.<\/p>\n

\u00bbPainting the Target\u00ab, in: Kathrin Friedrich, Moritz Queisner, Anna Roethe (Eds.): Image Guidance. Bedingungen bildgef\u00fchrter Operation, Bildwelten des Wissens, Bd. 12. De Gruyter, Berlin, 2016, pp. 96-97.<\/p>\n

With Rebekka Ladewig: \u00bbSynthetische Realit\u00e4t und Blindflug \u2013 Operationalisierung der Wahrnehmung\u00ab, in: Matthias Bruhn, Nikola Doll (Hg.): kritische berichte. Zeitschrift f\u00fcr Kunst- und Kulturwissenschaften, No. 4 Vol. 43, 2015, pp. 95-104.<\/p>\n

\u00bbMan in the Loop \u2013 The Language of Participation and the New Technologies of War\u00ab, in: ReClaiming Participation. Technology \u2013 Mediation \u2013 Collectivity, transcript, Bielefeld, 2016, pp. 133-144.<\/p>\n

\u00bbLeise, unsichtbar und autonom\u00ab, taz, March 14\/15, 2015, pp. 25-27.<\/p>\n

\u00bbDer Ruinenwert der Bilder. \u00dcber Trever Paglen in der Galerie Thomas Zander\u00bb [\u00bbThe Ruin Worth of Images. On Trevor Paglen at Thomas Zander Gallery\u00bb] in: Texte zur Kunst, No. 92, December 2013, pp. 214-217.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Research Assistant<\/p>\n

Bauhausstr. 11, Raum 224
\n99423 Weimar<\/p>\n

+49 30 2093-66267
\nnina.franz@culture.hu-berlin.de<\/p>\n","protected":false},"author":2,"featured_media":546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[40],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/posts\/545"}],"collection":[{"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/comments?post=545"}],"version-history":[{"count":51,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/posts\/545\/revisions"}],"predecessor-version":[{"id":3428,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/posts\/545\/revisions\/3428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/media\/546"}],"wp:attachment":[{"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/media?parent=545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/categories?post=545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aesthetik.hu-berlin.de\/en\/wp-json\/wp\/v2\/tags?post=545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}